<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-228832106580676757</id><updated>2012-02-15T23:23:37.116-08:00</updated><category term='et al.'/><category term='Moctezuma'/><category term='et alii'/><category term='and others'/><category term='FFFFOUND'/><title type='text'>Prontuário Gráfico</title><subtitle type='html'>Linguagem gráfica…</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-988721714483810932</id><published>2010-11-17T03:40:00.000-08:00</published><updated>2010-11-17T03:40:10.859-08:00</updated><title type='text'></title><summary type='text'>Some Typographic Rules to Remember adapted from The Mac Is Not a Typewriter by Robin Williams
 
One space between sentences.
Use only one space after periods, colons, exclamation points, question marks— any punctuation that separates two sentences.
 
“Curly” quotes and apostrophes.
Use real quotation marks and apostrophes—never those grotesque generic marks that actually symbolize inch or foot </summary><link rel='replies' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/988721714483810932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=228832106580676757&amp;postID=988721714483810932&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/988721714483810932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/988721714483810932'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2010/11/some-typographic-rules-to-remember.html' title=''/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-4306653976711424631</id><published>2010-11-05T02:41:00.000-07:00</published><updated>2010-11-05T03:00:37.608-07:00</updated><title type='text'></title><summary type='text'>Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute  rules to follow, it is crucial that you understand and apply some best  practices when combining fonts in a design. When used with diligence and  attention, these principles will always yield suitable results. Today  we will take a close look at some the </summary><link rel='replies' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/4306653976711424631/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=228832106580676757&amp;postID=4306653976711424631&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/4306653976711424631'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/4306653976711424631'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2010/11/creating-great-typeface-combinations-is.html' title=''/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-7533092116778927131</id><published>2008-07-10T05:36:00.001-07:00</published><updated>2008-07-10T05:38:13.450-07:00</updated><title type='text'>Design of causal diagrams</title><summary type='text'>Design of causal diagrams: Barr art chart, Lombardi diagrams, evolutionary trees, Feynman diagrams, timelinesIt is easy to draw a linking line or an arrow of implied causality, but very hard to make credible causal inferences.Linking lines, arrows, and influence trees bring with them many implicit but powerful assumptions. Suppose we take the arrows seriously--how are we to evaluate the </summary><link rel='related' href='http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0000yO&amp;topic_id=1' title='Design of causal diagrams'/><link rel='replies' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/7533092116778927131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=228832106580676757&amp;postID=7533092116778927131&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/7533092116778927131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/7533092116778927131'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2008/07/design-of-causal-diagrams.html' title='Design of causal diagrams'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_HW9ldHK80w8/SHYCi7tG4bI/AAAAAAAAADA/AmeJw-Syt4Q/s72-c/0001TV-1431.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-191415898962585645</id><published>2008-05-30T05:41:00.000-07:00</published><updated>2008-05-30T05:46:38.593-07:00</updated><title type='text'>1974 Citroen brochure</title><summary type='text'>Alle a-type pagina's zijn leesbaar ingescand en te bekijken door er op te klikken. All a-type pages are enlarged by clicking them.</summary><link rel='related' href='http://www.citrobe.org/citr0274.htm' title='1974 Citroen brochure'/><link rel='replies' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/191415898962585645/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=228832106580676757&amp;postID=191415898962585645&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/191415898962585645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/191415898962585645'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2008/05/1974-citroen-brochure.html' title='1974 Citroen brochure'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_HW9ldHK80w8/SD_2_6RmUvI/AAAAAAAAAC4/pgkduLRnr4g/s72-c/citro%C3%ABn.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-1876256451478403605</id><published>2008-05-22T01:56:00.000-07:00</published><updated>2008-05-22T04:49:52.547-07:00</updated><title type='text'>Breathtaking Typographic Posters</title><summary type='text'>You can’t design without type. However, yon can use only type (or mostly only type) to create breath-taking designs. In fact, many graphic designers and artists take exactly this route to communicate their ideas through their works. The results are sometimes crazy, sometimes artsy, sometimes beautiful, but often just different from things we’re used to. Thus designers explore new horizons and we </summary><link rel='related' href='http://www.smashingmagazine.com/2008/02/25/breathtaking-typographic-posters/' title='Breathtaking Typographic Posters'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1876256451478403605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1876256451478403605'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2008/05/breathtaking-typographic-posters-you.html' title='Breathtaking Typographic Posters'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_HW9ldHK80w8/SDVAM6RmUqI/AAAAAAAAACE/E36_S4QZiXc/s72-c/ideas.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-1398904449077676683</id><published>2008-05-22T01:19:00.000-07:00</published><updated>2008-05-22T04:49:33.404-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='FFFFOUND'/><category scheme='http://www.blogger.com/atom/ns#' term='Moctezuma'/><title type='text'>Moctezuma: James Brown</title><summary type='text'>It really doesn’t get much better than this poster by Tribal DDB Senior Art Director Sergio Moctezuma (Gigposters User: Moctezuma). I am having  a tough time figuring out whether the type on the face is done by hand or if there is some complex type on path / warping being done in illustrator.  Any ideas? Via FFFFOUND via Panopticist.Seeing such talented artists spending most of their time working</summary><link rel='related' href='http://blog.iso50.com/?p=1511' title='Moctezuma: James Brown'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1398904449077676683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1398904449077676683'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2008/05/it-really-doesnt-get-much-better-than.html' title='Moctezuma: James Brown'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_HW9ldHK80w8/SDVYFqRmUrI/AAAAAAAAACM/l9CaN7FnSVU/s72-c/76604-thumb.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-228832106580676757.post-1456100759566222336</id><published>2007-12-15T08:30:00.000-08:00</published><updated>2008-05-22T07:40:16.735-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='and others'/><category scheme='http://www.blogger.com/atom/ns#' term='et alii'/><category scheme='http://www.blogger.com/atom/ns#' term='et al.'/><title type='text'>et alii (et al.) ‘and others’</title><summary type='text'>Used similarly to et cetera (‘and the rest’), to stand for a list of names. Alii is actually masculine, so it can be used for men, or groups of men and women; the feminine, et aliae, is appropriate when the ‘others’ are all female. Et cetera is correct for the neuter.APA style uses et al. if the work cited was written by more than two authors; MLA style uses et al. for more than three authors.</summary><link rel='replies' type='application/atom+xml' href='http://prontuariografico.blogspot.com/feeds/1456100759566222336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=228832106580676757&amp;postID=1456100759566222336&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1456100759566222336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/228832106580676757/posts/default/1456100759566222336'/><link rel='alternate' type='text/html' href='http://prontuariografico.blogspot.com/2007/12/et-allii-et-alli.html' title='et alii (et al.) ‘and others’'/><author><name>Karlosmsg</name><uri>http://www.blogger.com/profile/07390169640376906445</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
